Friday, March 26, 2021

The Falcon and the Winter Soldier: The Star-Spangled Man Review

TFATWS "The Star-Spangled Man"
In Captain America: The First Avenger, Steve Rogers' first tour of duty wasn't on the front lines of war, but on the stage. Captain America was trotted out as a walking piece of propaganda, a patriotic symbol shilling war bonds. The song and dance routine around him took the form of Alan Menken's wonderful "Star-Spangled Man with a Plan", an appellation echoed in this episode's title, and a melody echoed by a marching band. A significant part of this episode is concerned with clarifying the John Walker character. A seemingly stand-up soldier, he is a replacement symbol of an American superhero, but also a symbol of tone-deaf government marketing meetings.

Meanwhile, the symbolism of Sam Wilson's Falcon takes a hit, as his drone Redwing is destroyed by the Flag Smashers. And this, just after Redwing started taking to cooing and beeping like it's an astromech droid. The Flag Smashers remain somewhat opaque as villains, although there is time for their motivations to land more clearly. They are stealing vaccines (a timely gambit, that) for apparent delivery to struggling European resettlement camps. And they are led by a young woman played by Erin Kellyman. Between this and Enfys Nest in Solo: A Star Wars Story, Kellyman is typecast as someone who wears a scary mask.

And most cogently, the Flag Smashers are led by multiple super soldiers. An effective high-speed action sequence in Germany has Sam, Bucky, John, and his partner Lemar up against eight super soldiers; perhaps this gives a taste as to what the red herring threat of multiple Winter Soldiers would have been in Captain America: Civil War. This proliferation of people enhanced by Dr. Abraham Erskine's infamous serum leads Bucky to reveal to Sam and the audience a character named Isaiah, a Black super soldier active during the Korean War. 

In Isaiah's neighborhood, there's a loaded scene where cops accost Sam because he's having an animated conversation with Bucky. Things defuse when the cops realize these are Avengers. But nonetheless the moment represents a new step for the MCU, a step toward greater sociological realism. It's depressing, not for its inclusion, but for the fact that archaic racism remains an open wound in this country.

"The Star-Spangled Man" brings Sam and Bucky together without much pomp and circumstance. But it does set up their "buddy cop" bickering, and the running thread of Bucky's indignation that Sam gave up the Captain America shield. Sam and Bucky's back and forth on this will continue to give the show a vein of drama going forward. And forward is the way to Helmut Zemo's jail cell. 7/10.

Stray observation:

- John is played by Wyatt Russell, son of Kurt Russell, who of course played the main villain of Guardians of the Galaxy Vol. 2, Ego the Living Planet.

No comments:

Post a Comment