TNG "A Matter of Perspective" |
In Tanugan justice, the defendant is guilty until proven innocent, a familiar idea from Cardassian justice later in the franchise, and indeed already seen in this rewatch: It was also the modus operandi of the mid-21st Century courts from the post-atomic horror, as shown in "Encounter at Farpoint". Of course, by episode's end Riker is exonerated, with Picard and Geordi proving his innocence in a very technical, Trekkian way.
From an optics perspective, it should be noted that on the face of it, the episode features a woman (Manua Apgar, the dead scientist's wife) lying about an attempted rape to stack evidence against a man (Riker). While depicting this tends to be a bad look, there is more to it than that. When Manua's testimony is given, Deanna doesn't sense deception from Manua's perspective. So the truth, between a violently exaggerated version of Riker's womanizing tendencies, to Riker's account of warding off her advances, lies somewhere in between. Understanding is a three-edged sword: your side, my side, and the truth.
Ron Jones' score is instantly more interesting than those for the Season 4 and 7 episodes the Randomizer has recently featured. (That's largely because producer Rick Berman wanted the scores toned down about halfway through the show's run.) A regal motif accompanies an amusing scene where Data the art critic assesses the work of Picard's art class (who are painting a nude model). The episode's main theme is waftingly eerie, though admittedly not very pleasant to listen to.
A novel use of the holodeck makes for an engaging look at space justice. 7/10.
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